My overall practice is driven by my fascination with the illusory qualities inherent in cinema and early animation. Imagining myself as a cinema pioneer I explore the interplay between the moving and the still, creating works that sit between the pre-cinematic and the digital.

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By discovering low-fi ways to add movement to single images and commonplace objects/materials, my intent is to ignite an element of wonder at the illusion of cinema, giving the everyday enough of a twist to allow the imagination to run free. 

We live in a society where the material is being replaced by the immaterial. This has drawn me to use tangible everyday materials in my work that I juxtapose with the relative immateriality of video. Behind the scenes of my videos there are various hand-crafted mechanisms that drive them that are hand-operated/cranked. 

 

In recent years I have made kinetic works for audience interaction that have been shown internationally including Turner Contemporary, Margate, U.K, 1shanthiroad, Bangalore, India and Basement 6, Shanghai, China.

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